“Seductive and thrilling… depths of passion and longing…This book really does cast a spell on you, and the effect is wild and wondrous. Magical realism has moved north to Acadiana, and the spell takes. This is a novel of masks, hidden shames that explode into ecstasy.”
--Jeff MacMahon, The Gay & Lesbian Review Worldwide
"The title story of this novel-in-stories is wonderful, as are all the rest. Pousson is a huge talent."
--Ilana Masad, The Other Stories
“Like a priceless gem, Black Sheep Boy is multi-faceted. The writing remains effortlessly lyrical, mesmerizingly inviting, and non-judgmental. The ending is perfection and left up to the reader. One mighty fine piece of writing, one powerful piece of queer literature. Do yourself a favor, go grab this book. 5 Stars!"
--Kazza K, On Top Down Under
"This is a master class in storytelling, a primer on what it means to be mixed race, to be different, to be powerless in the face of belief masquerading as truth. The author invites you to not just walk in another’s shoes, but to don his skin. Black Sheep Boy speaks to the universal truths of being in a world not designed for you and others like you. It is simply brilliant and worth a galaxy of stars. This is worth your time; it is a highly recommended read. 5 Stars."
--Diane, Gay.Guy.Reading and Friends
“If you like coming of age stories about freaky and fabulous southern sissies (and who doesn't?) Black Sheep Boy is a must read. Set in the bayou land of Louisiana, this fabulist tale kept me entranced. Queer lit at its finest!”
--Justin Vivian Bond, author of Tango: My Childhood, Backwards and in High Heels
“Black Sheep Boy is a harrowing story of survival…of being an outcast…an excellent read that reminds us that gay life is not always “gay”.
–Carlos Allende, Witches and Beatniks
“A fantastic read! Poetic and honest, painful yet beautiful.”
--Candi Sary, author of Black Crow, White Lie
“The beauty of the novel is in the way that author Martin Pousson makes the fantastic and specific world of the bayous recognizable to all of us growing up gay in a place that does not provide solace and comfort.”
--Amos Lassen, Reviews By Amos Lassen
“The writing style is deeply visceral… embodies the spirit of Whitman’s “I am large and I contain multitudes.” Pousson does a fantastic job using language to set the stage for…the stunningly rich backdrop of the Louisiana bayou starring a hodge podge cast of characters that mirror the kaleidoscope of individuals that might crop up in anyone’s life”.
--Camille, Joyfully Jay
“What I loved: the beautiful prose, the Louisiana setting, and a story that wasn’t a romance. I appreciated the almost tall tale quality to it all and the rich history and cultural flavor. Because it isn’t tied with direct reference to a particular era, it has a timeless quality to it. A phenomenally well-written book.”
A.M. Leibowitz, Inked Rainbow Reads